My practice emerges at the intersection of industrial heritage, spontaneity, and experimentation. I work with raw, brutal materials—industrial waste, architectural fragments, roots, and artifacts—embracing chance as an active force in the process. Stains, smudges, and marks become integral parts of the work.
I explore the dialogue between chaos and structure, stories and the environments in which they unfold. Attention to detail and respect for craft merge with an investigation of the absurd’s limits: an inlaid rusty engine, a pen-painted brick, or the paradoxical collision of objects reveal the unreality of the moment. It’s a visual language I am still learning to speak.